Monthly Archives: September 2011

Vale Sara

It’s very difficult to put into words how I felt yesterday upon hearing about the death of Sara Douglass, a true pioneer of Australian fantasy. Even today, having had time to reflect and read some of the tributes, I feel intensely and confusedly emotional.

I did not personally know Sara Douglass. I never even had occasion to meet her. But her impact on the Australian SFF industry, fantasy in particular, has been phenomenal and I owe her a huge debt of gratitude as both a reader and a writer. Without Sara Douglass, whose debut fantasy trilogy proved such a huge best-seller, the Australian SFF industry might never have existed in the scale it does today.

When I first read Sara’s Axis trilogy (published 1995-1996), I couldn’t put it down. It had so many things I love about fantasy: heroic characters, strong women, powerful romance, unique characters (I think my favourite still has to be Stardrifter), big epic story arcs, innovative races (such as the winged Icarii). These were books (Battleaxe, Enchanter, Starman) that kept me reading into the early hours of the morning. They were followed by the stand-alone novel Threshold, and then the Wayfarer Redemption trilogy, a sequel to the Axis trilogy — all of which I devoured.

She wrote loads of books after this, but such was her success in establishing our industry that other authors jumped on the bandwagon, thereby providing so much choice that I have never quite gotten around to reading them…

But, based on those I have read, one of the things that has always stood out for me about her storytelling is her ability to get you to empathise with her point-of-view characters. She was a master at transitioning your perceptions of her characters, such that a perceived ‘villain’ might actually turn out to be sympathetic and vice versa. I recall being so impressed in particular by her treatment of Dragonstar in her first two trilogies — from baby villain to adult degenerate to heroic saviour. (I’m not sure what she did with him thereafter…) But she also did it with heaps of other characters. Skilful.

I am really sad that she is gone — and way before her time (she was only 54). And I am even more sad that she suffered so terribly (from ovarian cancer). She wrote the most amazing and important blog post last year called The Silence of the Dying that everyone should read — because we will all know someone who is dying at some stage of our lives, and this post exposes our modern inability to deal with death (and the dying).

Her friend and carer, Karen Brooks, has written the most beautiful tribute for the HarperCollins Voyager blog.

Her real name was Sara Warneke and she will be missed — and, most importantly, remembered.


Struck by an IDEA

Ever since the conclusion of the WriMoFoFo challenge in mid-July, my writing productivity has declined somewhat. This is partially due to the fact that I’m hunting for a job (a time-consuming and mind-numbing process), but mostly due to my decision to edit/revise/expand the opening section of this new novel and the conviction that there has been something missing.

I’ve been tinkering and prodding and re-reading and rewriting and trying to figure out what the problem is. Or, more accurately, how best to achieve all the things I want to achieve with this opening sequence, which launches the story. And I am simply not capable of going on with the rest of this novel until I am satisfied with its foundations. Everything depends (in my view) on the setup. I need to know what happens – and it has to be good.

And then, this morning, I had an epiphany. (I do so love epiphanies.) I was walking to meet family for a morning coffee, mulling stuff over, when an IDEA struck. It needs fleshing out, but it simultaneously solves several problems: how to demonstrate (rather than explain) a key aspect of cultural ideology that underpins the entire story, how to inject more action and conflict into an opening sequence that was running a bit too flat, and how to effectively utilise a couple of characters I’d blithely inserted into the opening scenes, but had little idea of how to leverage.

Now I am simply itching to get back into it.


How cats help

I’m a writer. Of course I have a cat. Don’t we all?

And my cat, Chenna (aka Devilcat), likes to help me write. Who ever said dogs were the pets who liked to be near you? Cats can be just as needy. And the thing with cats is that they have the wherewithal to get really close!

My devilcat can often be found on top of my desk while I’m working. If I’m lucky, she’ll be sleeping on top of my modem (mmm, warmmm). Slightly less convenient is her occasional insistence on sitting on my knee, leaving me squinting at the computer screen.

But sometimes she can be REALLY ANNOYING… patrolling the desktop as though she owns it, attacking my hands with her claws and teeth, pressing her cold wet nose all over my face, stepping on the keyboard…

And then Simon’s Cat launched the following new video, and I realised I am not alone. All cats must do this! And I simply had to share. Welcome to my life.


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